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On Winnie& On Daily Arts Alert ... by Cathleen Bond Friday, Jan. 5 On Winnie & On ... So you think I'm talking about Winnie the Pooh, Winnie Mandela or maybe even the Right Honourable Winnie Churchill? No way.
This kind of physical restriction is typical of Beckett's canon. His characters are frequently frozen by inertia. Paralyzed by the inability to move. They're desperate to make some sense of the unbearable muddle of life. Praying for a Godot to come and rescue them, or sifting through spools of old audio tape looking for a clue to the past, like the crotchety old Krapp in Krapp's Last Tape. Beckett's been a fixture of modern theatre since Waiting For Godot premiered in Paris in the 1950s. His absurdist canon has played all over the world. He's been studied in universities. (I did a fourth year seminar at U of T and can't get enough of old Sam.) However recently Beckett's becoming more of a pop culture superstar. In the crazy, alienated 21st century Sam Beckett sells. Case in point: Recently Michael Colgan, artistic director of Dublin's Gate Theatre, started the Beckett Film Project. The project produced movie versions of all l9 plays, including Waiting for Godot and Krapp's Last Tape. Atom Egoyan tackled Krapp and Anthony Minghella, Neil Jordan and Patricia Rozema threw their hats into the ring.
There are two ways to attend the Festival. You can purchase individual tickets or grab yourself a BeckettPass. Here's a sample of what's on:
Adhere & Deny: Found And Lost For the full sked, check out the website: Manitoba Theatre Centre Jan 11- 27
Some artists chose to remain mute, others became civil and social activists and others took their experiences and turned them into art. "Jack Burman, Isaac Applebaum, and Alfredo Jaar question history in striking installations that both give evidence of the evils of our time and reflect upon art's power to depict the elimination of large groups of human beings. How do we write history? How can we prevent amnesia from doing its work? These three artists stage memory in a narrative form so that what remains not only escapes oblivion, but becomes etched in living memory." Sounds like an unforgettable exhibit to me.
until Jan. 14 - Ottawa Canadian Museum of Contemporary Photography (613) 990- 8257 Fine Tuning: Get ready for some power yuks as our friends at The Air Farce look back at the year 2000. The Year of the Farce features headlines turned into big laugh lines, as well as a group of guest stars from the land of entertainment, politics and sports. The Farce will be taking the micky out of the recent federal election, as well as poking plenty of fun at the Sydney Olympics. Just throw another politician on the barbee will ya Shelagh? Royal Canadian Air Farce on CBC at 9 p.m. Friday night. Then, here's an audio treat for while you're doing the post-holiday vacuuming on Saturday afternoon. Canada's Ben Heppner headlines the cast this week as the Metropolitan Opera presents Beethoven's Fidelio. Saturday Afternoon at the Opera, hosted by Howard Dyck, Saturday at 1:30 pm (2:30 AT; 3:00 NT) on CBC Radio Two.
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Updated each weekday by Cathleen Bond ... bookmark this page and come back for the latest news, reviews and gossip on the Canadian arts scene. RECENT FEATURES: More from our year-end review: >> Public Art >> Film >> Digital >> Visual Art >> Literature >> Dance >> Architecture >> Music and Opera >> TV or not TV
>> Kid Stuff: Toy displays for Christmas at Canada's museums >> Bruce Mau: Big designs in LifeStyle >> Robert Service: Musical tribute to a Canadian hero >> Circle of Trees: Art and nature come full circle >> Atwood: The critics and The Blind Assassin >> Public Art: Who decides what art will fill our civic spaces and expand our imagination? >> Public Art: Who decides what art will fill our civic spaces and expand our imagination? >> Mags & Zines: A review of the best in Canadian arts publications. >> Digital Art: Clickable Cancon, a quick tour of the latest in digital art. >>
Cancon Quiz >> Iron Road: The Arts & Culture forum follows the creation of a new Canadian opera >> Interview: Carole McDowell tells us how she and artist Helen Lucas made the transition from gallery walls to the www gallery. >> Public Library in Peril How should libraries be transformed to meet future needs of Canadians? >> Culture
at the Crossroads >> Web
Wizard
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