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Theatrical Extravaganza Daily Arts Alert ... by Cathleen Bond Thursday, Jan. 18 I'm positively thrilled to announce that Ronnie Burkett's latest play Happy opens this coming Monday on CanStage's Berkeley Street Theatre in Toronto. Happy, Burkett's follow-up to the incredible Street of Blood, previewed at the duMaurier World Stage last year and has played in other venues across North America. Burkett is a Canadian puppet master without peer. He handcrafts his characters, creates a theatrical landscape for them to populate, writes a play for them to act in, and then infuses them with life. In short, in Ronnie Burkett's theatre, he is God. And what an incredible shape shifter he is. While Street of Blood dealt with homophobia, vampires, and the question of whether or not mother love is toxic, Happy is all about a "happy-go lucky veteran veteran who wanders through episodes of grief in other people's lives." Burkett looks at the scope of sorrow in human existence in order to decide whether or not some people are just lucky by nature and aren't affected by sorrow. Or is more a matter that certain people wrestle with their demons, learn how to live with their layers of anguish and discover how to move on? They know how to be happy. In Street Of Blood, the main narrative was the tension between a prairie mother and her vigilante, bomb building, gay son. A troupe of vampires lent some comic and occasionally horrific relief to the familial struggle. In Happy, Burkett utilizes a similar conceit. "Tandem to the storyline presented by the character of Happy is the "grief vaudeville" of Antoine Marionette, a campy, other-worldly master of ceremonies. Within this glittering silver realm -- "the gray area of life" -- arch presentations of sadness in song, pantomime and burlesque, mirror and parody the state of the central characters." Lord love a duck. You'll probably need a few laughs after delving into the nature of sorrow. This is one show I won't be missing. It was a huge hit at the duMaurier World Stage. Mike Ross of The Edmonton Sun claims that "Ronnie Burkett pulls all the right strings" and The Village Voice trumpets that "Burkett is one of the world's geniuses...seeing his troupe every few years has just become a necessity of civilized theatregoing." Get your tickets while you can. This could well be a sell-out show:
January 22 to February 17 Berkeley Street Theatre Cyber Lit: "Adeena Karasick is a Canadian poet/cultural theorist dedicated to breaking boundaries and traditional notions of genre in literature..." Now that may mean little to you, but she's one of hundreds of Canadian artists working with new media to get artistic messages across. She's one of the featured artists on the Canada Council's new website, "Spoken and Electronic Words." Karasick's Border Control project, encapsulating a CD ROM, a web site, and a performance tour, is one of the Real Audio highlights on the Spoken and Electronic Words program. The program offers grants ranging from $1,000 to $20,000, to "innovative" public literary performance that are presented live or via media such as CD-ROMs, audio or audiovisual cassettes, the Internet, television or radio. (These projects already online are samples; the system is still taking grant applications.) Another winner at the site is an audio piece by Montreal performer Ian Ferrier, Exploding Head Man. In some ways, the spoken word movement hasn't changed at all since the beatnik days, except the bongo drums sometimes get augmented -- as in this case -- with some Hendrix-like guitar playing. And how was Karasick's video? It had that jazzy spoken-word rap to it, filmed on the streets of New York's Alphabet City, and in a more perfect world, MuchMusic would be running her poetry instead of Eminem's. Fine Tuning: I know, I know ... Every time you turn around I'm walking up and down in cyberspace wearing a sandwich board that reads "Canada: A People's History is SO GREAT" But hey, it is! I'm totally addicted to the series and if the opportunity arises, I intend to buy a copy of the box set. It can sit next to my Twin Peaks collection. So just in case you missed episode eight on Sunday, don't despair. CBC is rerunning the show tonight and don't miss it. It's called The Great Enterprise and covers the years from 1850 to 1867. Here's the Cole's notes on tonight's historical eye candy: "In a few short years, a handful of small and separate British colonies are transformed into a new nation that controls half the North American continent. The remarkable story of Confederation, its supporters and its bitter foes, is told against a backdrop of Civil War in the United States and a growing determination with Britain to be rid of its expensive, ungrateful colonies. The dawn of the photographic era provides a vivid portrait of the diverse people who make up the new Dominion of Canada - the railway magnates, the unwed mothers of Montreal, the nuns who provide refuge for the destitute, the prosperous merchants of Halifax, the brave fugitives of the Underground Railroad, and the tide of Irish immigrants who flood into the cities." It's chilling, entertaining stuff. And I'm not kidding. That's Canada: A People's History at 8 PM ET on CBC
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Updated each weekday by Cathleen Bond ... bookmark this page and come back for the latest news, reviews and gossip on the Canadian arts scene. RECENT FEATURES: More from our year-end review: >> Public Art >> Film >> Digital >> Visual Art >> Literature >> Dance >> Architecture >> Music and Opera >> TV or not TV
>> Kid Stuff: Toy displays for Christmas at Canada's museums >> Bruce Mau: Big designs in LifeStyle >> Robert Service: Musical tribute to a Canadian hero >> Circle of Trees: Art and nature come full circle >> Atwood: The critics and The Blind Assassin >> Public Art: Who decides what art will fill our civic spaces and expand our imagination? >> Public Art: Who decides what art will fill our civic spaces and expand our imagination? >> Mags & Zines: A review of the best in Canadian arts publications. >> Digital Art: Clickable Cancon, a quick tour of the latest in digital art. >>
Cancon Quiz >> Iron Road: The Arts & Culture forum follows the creation of a new Canadian opera >> Interview: Carole McDowell tells us how she and artist Helen Lucas made the transition from gallery walls to the www gallery. >> Public Library in Peril How should libraries be transformed to meet future needs of Canadians? >> Culture
at the Crossroads >> Web
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