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Arts Alert
Wednesday, Aug. 16

by Cathleen Bond

Have you ever heard of Janet Cardiff? Until reading a pushed article from the The New York Times, I hadn't. It seems Cardiff has several European shows underway. Very interesting installations which involve slipping on a headset, parking your disbelief at the door and being guided by a mysterious voice through a perhaps perilous place. The Times writer first heard Cardiff's voice float out of her headset at a gallery in Lucerne:


From Cardiff's Real Time

"Suddenly a woman whispered in my ear, 'Sorry I'm late.' I wheeled around to see who had invaded the booth. No one was there. The voice was in the headphones. As the singer onstage sang, the voice kept whispering next to me -- something about the singer, the song, a box under my seat, a gun, a crime to be committed. Then she left. I looked under my seat. Nothing was there. I left the booth and put the voice out of my mind."

Now you'd think that would be the end of the newspaper writer's experience with Cardiff. Not so. The writer went to another installation at the Tate Modern in London, picked up the headphones and:

"Is there any popcorn left?" a familiar voice whispered in my ear ... The voice belonged to Janet Cardiff, an artist from Lethbridge, Alberta, and it had me snared. When I learned that the voice could be heard in Whitechapel, the East London neighborhood where Jack the Ripper did his dirty work, I went. At the Whitechapel Library I exchanged my credit card for "The Missing Voice (Case Study B)": a pair of headphones, a Discman and a map of the neighborhood."

The writer goes on to relate a fascinating tale of wandering the streets, following Cardiff's instructions, listening to her observations and trying to solve a murder. Is anyone familiar with Janet Cardiff? And if so, have you had the opportunity to participate in any of her audio installation pieces? Since writing this piece I've discovered that she's soon to become the next big thing.

  • In Lucerne, Switzerland, Janet Cardiff's audiovisual installation Playhouse can be seen in the exhibition Mixing Memory and Desire, at the new Kunstmuseum through Sept. 24. Telephone: 011-41-41-226-7800.

  • In London, Cardiff's audiovisual piece The Muriel Lake Incident, made with her husband, George Bures-Miller, is included in Between Cinema and a Hard Place,a temporary exhibition of the work of 23 contemporary artists at the Tate Modern through Dec. 3. Telephone: 011-44-20-7887-8008.

  • Also in London, her audio-walk The Missing Voice (Case Study B) begins at Whitechapel Library and is available through the end of the year. The Artangel information line: 011-44-20-7713-1402.
  • Janet Cardiff Homepage
  • Travelling Closer to Home
    If you can't make it abroad to take a head trip with Cardiff, then hustle on over to the Edmonton Art Gallery for Images of Travel and Tourism.


    Barbara Spohr, Postcard, Nelson, 1985

    A trip is a time of reflection and discovery, and when you get a group of artists taking a respite the results can be spectacular. (Think Gauguin and Van Gogh). Images of Travel and Tourism features work by Canadian and international artists like: Illingworth Kerr, Barbara Spohr, James Wilson Morrice and A.Y. Jackson.

  • Images Of Travel And Tourism
  • To Aug. 20
    Edmonton Art Gallery

    Fine Tuning
    Poor Judy Rebick. First, her CBC Newsworld talk show Straight from the Hip gets cancelled. Then, her very last set of shows -- a week of specials on young women -- is viciously trashed in The Globe and Mail, by none other than hipper-than-thou columnist Leah McLaren.

    The specials, which began Monday and run till Friday (5 and 8 p.m. ET on Newsworld) are indeed rather dull. It takes something more than a studio gab-fest to convey all the excitement and complexity of young women's lives these days.

    But young McLaren, who is a guest on Friday's final show, went out of her way to destroy what's left of Rebick's reputation as a broadcaster. "Beforehand, the producer e-mailed me a detailed memo outlining the bent of the show, and a note forbidding panelists from wearing perfume to the taping because 'Judy is allergic.' If that didn't trip my inner alarm, I should have known it from the list of discussion topics...." and then she went on to more "serious" matters than Rebick's health concerns.

    I have a hunch McLaren went on the offensive, because her taping didn't go as well as she might have hoped. McLaren's column was filled with shoddy writing, lapsed grammar, and concluded with the demand that CBC pull Straight from the Hip off the air. On phone call to check her facts, and she would have learned the plug was pulled back in June.

  • McLaren's column on Rebick
  • Straight from the Hip website

  • Drop me a line.

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