Fans of the arts counter culture are currently pulling up their tent stakes, hopping in their minivans and leaving the Burning Man far behind. The week
long festival, located 120 miles outside of Reno Nevada, has become the preeminent counterculture, alternative-arts fair experience. It started back
in 1986, when a San Franciso Bay Area artist named Larry Harvey built and cremated an eight-foot-tall effigy of a man on Baker Beach. The concept caught fire and over the years Burning Man has become a symbol for
anti-consumerism, the power of communal living and perhaps most importantly, anarchic artistic freedom. As the crowds of people grew, so did the Man, and
now Harvey's simple effigy has grown to a 40 foot wood and neon chimera.
Concerns about crowding and fire forced the festival out of San Francisco and into the wide-open spaces. Visitors set up camps, creating an instant artistic village where money is mostly verboten. People barter for food,
water, heat or air conditioning. (Remember this is the desert where temperatures can rise as high as 40 degrees Celsius at high noon and plummet to freezing at night.) Regardless of what they're trading, the festival has
one primary focus, revolutionary art.
The New York Times describes it: "On a walk across the desert fairgrounds (called "the playa"), a casual visitor might encounter anything from a school of neon fish suspended by wire on the heads of a dozen
bicyclists to a 50-foot-long mechanical dragon replete with fire-breathing skills and with a New Orleans brass band playing "You Are My Sunshine" inside
its metal gut. Turn the other way, and you may find yourself facing a satyr,
an angel or maybe just another naked person. Elsewhere cars with complete
cocktail lounges mounted on their frames zipped across the desert plain and
an R.V. outfitted with a pair of 15-foot Tesla coils spit tendrils of
lightning into the air."
Gee I wish we'd have something like that up here in Canada. A friend of mine
attended last year and the tales he spun where worthy of a campfire. Do you
think Canadians would embrace something like Burning Man or is it too
counterculture? What do you think? Or better yet, do you know of anything
Canadian that already possesses a similar spirit?
Burning Man Official Site
Marking the Passage of MariTime
Painter Alfred Morrison was born in Boston in 1909. Twenty years later
returned to farm the family homestead on Prince Edward Island. At the age of
50, Morrison became ill and had to trade in his plow for a paintbrush. Thus
began a pictorial history of the shifting cultural, social landscape of
P.E.I. Morrison painted over 80 Island scenes. He critiqued the march of
modernity and chronicled the collapse of rural communities as farmers fled
the peace of the island for the promise of big city life. Morrison's canon is
more than a historical record. His work allows you to truly feel the impact
exacted on Canadian culture, due to the wheels of industrial change.
The Narrative Landscapes of Alfred Morrison
Confederation Centre of the Arts
Charlottetown
(902) 628-1864
Vive la difference
There's a dustup in the Montreal theatrical community, with a
French-language company and and English-language troupe mounting duelling
productions of the same play this week. Compagnie Jean Duceppe is opening its
production tonight of Droits d'Auteurs, by Donald Margulies, translated by
Michel Dumont. In English, the play is called Collected Stories, and opens
Saturday at the Saidye Bronfman Centre, with the venerable Uta Hagen in the
lead. This particular production comes straight from the Stratford Festival in Ontario, and apparently la dame Hagen is mightily annoyed that she's got
competition.
Compagnie Duceppe had planned to mount an Israel Horovitz play for its season opener, but had to change plans due to the illness of a cast member.
It's rare that rights to a play are given to two companies in the same city,
but the language differences created a special situation in Montreal.
Saidye Bronfman Centre
Compagnie Jean Duceppe
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